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Men's skirts are skirts worn by men. The wearing of a skirt is conventionally, in North America and much of Europe, an expression of a female role. However, people have variously attempted to promote the wearing of skirts by men and to do away with this sex distinction, albeit with little general success and considerable cultural resistance.
From the early Victorian period there was a decline in the wearing of bright colours and luxurious fabrics by men, with a definite preference for sobriety of dress. By the mid 20th Century orthodox Western male dress, especially business and semi-formal dress, was dominated by sober suits, plain shirts and ties. cheap hats wholesale ,
In the 1960s there was widespread reaction against the accepted (North American and European) conventions of male and female dress. baseball caps wholesale , This unisex fashion movement aimed to eliminate the sartorial differences between men and women. In practice, it usually meant that women would wear male dress, i. oakley sunglasses cheap , e. oakley sunglasses discount , shirts and trousers. Men rarely went as far in the adoption of traditionally female dress modes. The furthest that most men went in the 1960s in this regard were velvet trousers, flowered or frilled shirts and ties, and long hair.
In the 1980s, a few male celebrities dressed in skirts, and fashion designers such as Jean-Paul Gaultier, Giorgio Armani, John Galliano, Kenzo, Rei Kawakubo, and Yohji Yamamoto tried to promote the idea of men wearing skirts, but failed to popularize the idea. Male skirt wearing remained firmly linked with ideas of effeminacy.
In 2003, the Metropolitan Museum of Art displayed an exhibition, organized by Andrew Bolton and Harold Koda of the Museum's Costume Institute and sponsored by Gaultier, entitled Bravehearts: Men in Skirts. The idea of the exhibition was to explore how various groups and individuals (from hippies through pop stars to fashion designers) have promoted the idea of men wearing skirts as "the future of menswear". It displayed male skirts on mannequins, as if in the window of a department store, in several historical and cross-cultural contexts.
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